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John William
"Blind" Boone (1864 - 1927)



Born during the Civil War
The Civil War was a military conflict that began on April 12, 1861, when Southern forces fired on Fort Sumter outside of Charleston, South Carolina. Several Southern states had seceded from the United States (also known as the Union) and formed the Confederate States of America (also referred to as the Confederacy) out of fear that the United States' newly elected president, Abraham Lincoln, would not allow the expansion of slavery into new western states. Battles and skirmishes were fought throughout the country by Union and Confederate forces. General Robert E. Lee surrendered to Union General Ulysses S. Grant at Appomattox, Virginia, on April 9, 1865. As other Confederate forces heard the news of Lee's surrender, they surrendered as well and the war was soon over. Over half a million men were killed or wounded in the war. Thousands of former slaves gained their freedom. After the war, the Thirteenth, Fourteenth, and Fifteenth Amendments to the Constitution were passed prohibiting slavery, providing equal protection for all citizens, and barring federal and state governments from denying citizens the right to vote due to their race, color, or status as a former slave.
, John William “Blind” Boone overcame poverty, disability, and racism to become a nationally known composer and musician. Blind almost from birth, the musical prodigy created music using his knowledge of classical music, Negro spirituals, and the syncopated or “ragged” rhythms he heard in his everyday life. His music has influenced many later generations.

Early Years

Map of Warrensburg and Columbia, Missouri Warrensburg and Columbia, Missouri

On May 17, 1864, as the Civil War entered its final year, John William Boone was born in Miami, Saline County, Missouri. His mother, Rachel Boone, worked as a cook in the federal military camp of the Seventh Militia. She later told her son, whom she called Willy, that his father was a bugler in the army. Born into slavery, Rachel had either escaped or was freed by federal soldiers.

Rachel Boone Hendricks Rachel Boone Hendricks Rachel Boone was born a slave in Kentucky to a family that moved to Missouri before the Civil War. Boone never knew his father. Rachel died in 1901 and was buried in Warrensburg at Sunset Hill Cemetery.

[Blind Boone: His Early Life and Achievements, by Melissa Fuell. SHS 006701]
Rachel moved to Warrensburg with her infant son to work as a servant for various families. Around the age of six months, the baby developed cerebral meningitis
Meningitis is a disease that causes swelling in the membranes covering the brain and spinal cord. Membranes are soft, thin layers that protect and connect organs and cells in the body. The life-threatening disease can be caused by viruses, bacteria, or other small organisms. Common symptoms include a stiff neck and severe headache, as well as a sudden high fever and confusion.
or “brain fever.” The illness was often fatal, and the only treatment known at the time led to blindness. Doctors today would treat the illness with antibiotics.
Warrensburg, circa 1867 Warrensburg, circa 1867 This is how Warrensburg looked when Rachel and Willy Boone first arrived.

[SHS 029415]

As Willy grew, the townspeople noticed his talent for music. They encouraged him with gifts of simple instruments, such as a tin whistle, a French harp (or harmonica), and a triangle. Willy started a band with his friends. They played for parades and special gatherings to earn money.

When Willy was about eight years old, his mother married Harrison Hendricks. Rachel and Willy moved into a one-room cabin
One room cabin Young Willy Boone lived with his mother, stepfather, and stepbrothers and stepsisters in a small one-room cabin on Mill Street in Warrensburg.

[Blind Boone: His Early Life and Achievements, by Melissa Fuell. SHS 006701]
 The Hendricks property was located near the Land Fike Mill on Mill Street (starred on map) The Hendricks property was located near the Land Fike Mill on Mill Street (starred). When Boone became successful, he built a home for his mother on the same property and promised to care for it and keep it as long as she lived. Boone kept his promise.

[SHS 029398]
with her new husband and his five children.


   Missouri School for the Blind Missouri School for the Blind Boone spent a little over two years at the Institute for the Education of the Blind in St. Louis, which later became the Missouri School for the Blind. The school is still in operation.

[SHS 2003-0012]

With his disability Willy needed a special school. Several Warrensburg residents helped Rachel send her son to the Missouri School for the Blind in St. Louis. Former Missouri senator Francis Cockrell persuaded Johnson County officials to pay for the train ride to St. Louis and tuition at the school. A group of ladies helped sew the clothing Willy would need. In the fall of 1872, nine-year-old Willy traveled alone 225 miles to St. Louis.

Boone quickly learned to love the school. The program taught students skills to help them gain their independence and also emphasized music. The teachers tried to get Boone to study Braille and to learn the broom trade so he could support himself, but he was not interested in reading or making brooms. He would often steal away from his studies to listen to the advanced students as they practiced piano.

Enoch Donnelly, an older white student, appreciated the young boy’s curiosity and often invited Boone to hear him play. After he heard Boone mimicking one of his classical music pieces on the piano, Donnelly gave up a portion of his own practice time to teach the eager student. Boone could remember and play everything he heard, even if he had only heard it once.

Soon the young prodigy was entertaining gatherings at the home of the school superintendent. At home in Warrensburg during school breaks, Boone played piano for church services and social gatherings to earn money to help his family.

The darker side of St. Louis The darker side
of St. Louis
The “Tenderloin District” lay around Morgan and Franklin streets west of the school. The sound of musicians playing in saloons and gambling halls drew Boone away from school and provided him with a different kind of musical education. It was in this area that ragtime music later developed.

[SHS 029445]

Once, upon his return from a school break, he found a new superintendent who did not believe black students should have the same privileges as whites. He would not allow black students to play piano. Unable to bear the new rules, Boone started skipping class to go to the “Tenderloin District” near the school. In the district, a poor and densely populated area, he listened to and played music with the African American musicians who worked in the saloons. The principal eventually dismissed Boone from the school because of his absences.

Ashamed to return to Warrensburg and face his mother, the young boy tried to make a living with his music in St. Louis. Eventually, broke and hungry, Boone returned home through the kindness of A. J. Kerry, a white railroad conductor. Kerry befriended the homeless boy and arranged for Boone to travel home on the train.


A Dark Period

Boone organized a band Boone organized a band After returning to Warrensburg from school, Boone organized several bands and tried to make a living playing music again. For a while he rode railroad trains and played for the passengers for tips. Eventually, he traveled to Fayette and Glasgow to play in mid-Missouri churches.

[Blind Boone: His Early Life and Achievements, by Melissa Fuell. SHS 006693]

Back in Warrensburg, Boone earned money playing piano for the Foster School, a white school, and again formed a band of street musicians. After hearing Boone play his harmonica, a local gambler named Mark Cromwell convinced the young boy he could supply him with concert engagements. Lured away from his mother by Cromwell’s tales and flattery, the young boy soon realized he would see none of the promised money.

Boone played his harmonica on the streets of many Missouri towns just as he had done in Warrensburg, but now Cromwell kept the money. At one point, the gambler lost Boone in a card game. The winner kept the boy in a locked room until Cromwell managed to “steal” him back three days later. Boone’s stepfather searched for the boy and finally brought him home. Throughout his life, some people tried to take advantage of the good–natured Boone.


Turning Point

Boone met John Lange Jr. in December 1879. A contractor by trade, Lange owned an entertainment hall in Columbia and hired Boone to play the Christmas program there. He recognized Boone’s talent and also the young boy’s vulnerability.

Lange wrote to Rachel Boone Hendricks to ask if he could take over the musician’s career. He promised to handle Boone’s training and care. The boy’s mother would receive part of his earnings every month until Boone turned twenty-one. When he turned twenty-one, Boone would become a partner in the Blind Boone Company. Lange kept his word. Boone played one of his first concerts as part of the Boone Company in January 1880. The ticket sales totaled a disappointing $7.00.

Blind Tom Wiggins Blind Tom Wiggins Thomas “Blind Tom” Wiggins

By the time Blind Boone played with Blind Tom, the latter was already nationally known. Unlike Boone, Tom Wiggins could not learn piano technique from others and was unable to care for himself. He did not interact with others and today would probably be diagnosed as autistic. Born into slavery, Tom Wiggins was retained by his owner, Colonel James Bethune, even after gaining freedom through emancipation. Bethune displayed Tom as a “curiosity” and made him play a grueling schedule of performances while pocketing the proceeds.

[Courtesy of the Library of Congress]

Thomas “Blind Tom” Wiggins came to play a concert in Columbia in March 1880. Like Boone, Tom could play any music he heard. As part of the program, his manager challenged anyone in the audience to repeat Tom’s tunes. Tom would play back any tune others played for him. Unlike many others before him, Boone was able to repeat Tom’s music note-for-note.


Early Struggles

Blind Boone at age 15 Blind Boone at age 15 Blind Boone at age 15.

[Blind Boone: His Early Life and Achievements, by Melissa Fuell. SHS 006703]

The first few years Boone traveled with Lange, he was billed under the name “Blind John.” In addition to the fifteen-year-old Boone, a ten-year-old soprano named Stella May accompanied them. Lange often had to bring a good piano along in a wagon or by train because the churches and halls in the small towns where they played did not own one.

Just before Boone was scheduled to play in Marshfield, Missouri, a tornado hit the small town on April 18, 1880. The twister killed almost 100 people and injured twice as many. Few buildings other than the courthouse remained standing. Lange read Boone the newspaper articles reporting the tragedy. The musician was inspired to compose “The Marshfield Tornado,” which included effects that sounded like the tornado. After some discussion, Lange and Boone decided to continue on to the scheduled performance in Marshfield.

Many survivors of the tragedy came to hear Boone play. His first piece was the new cyclone composition. Much to the performer’s dismay, the true-to-life sounds of his music caused some to panic and flee the building, thinking another tornado was coming. Despite their own financial hardships, Boone and Lange donated the proceeds from the concert to help rebuild the town. “Marshfield Tornado” became a regular part of Boone’s program, but he always played it last in case it frightened his audience away.

Without the advantage of modern radio or television, word of Boone’s talent spread slowly. As the Boone Company struggled in its early years, Lange sometimes feared he would have to get a job digging coal to keep the company going. When funds ran low, Lange sent the other musicians home, and the two partners traveled the country alone. They were often broke and suffered many difficulties, such as hotel and music store fires and train wrecks. At one point, a business partner ran off with the company piano.

Promotional leaflet Promotional leaflet A committee of notable citizens attended the first concert in Michigan so that they could confirm the claims made about Boone's abilities. There were instances where others claimed to be Boone, which made it difficult for the company to succeed.

[Ellie Fike Diaries, 1879-1892 (C2216), The State Historical Society of Missouri, Manuscript Collection- Columbia]

Although many of his friends believed he was foolish to give up his business to promote a little-known black musician, Lange never regretted it. “I have lost all I had more than once, trying to make Boone a success, but I am proud today that I have stuck with it.”


Merit, Not Sympathy, Wins

Mary R. Sampson Mary R. Sampson Mary R. Sampson

Over a period of just two months, Sampson taught Boone twenty-five new classical pieces and helped him work on the "correct interpretation of the classics."

[Blind Boone: His Early Life and Achievements, by Melissa Fuell. SHS 029448]

Blind Boone played piano by ear. Since he could not read music, he learned new songs by listening closely to other musicians. Around 1883 he took lessons from Mary R. Sampson in Cedar Rapids, Iowa. Sampson helped Boone acquire better piano technique and taught him new classical music pieces. After his work with Sampson, Boone’s career began to take off. It was around this time that the group began billing themselves as the Blind Boone Touring Company.

Lange wanted everyone to understand that Boone was a person of talent and achievement, not just a figure of curiosity and sympathy like Blind Tom. He developed the motto “Merit, Not Sympathy, Wins,” which was often printed on the concert program.

Boone played classical music to please one section of his audience and to demonstrate his skill. Then he would play popular music, folk tunes, and Negro spirituals to please another. He called this approach “putting the cookies on the lower shelf” so everyone could enjoy them. Like Blind Tom, Boone challenged his audience to play music for him to imitate.

Through a carefully constructed program of music, Blind Boone exposed his audiences, both black and white, to the power of music. He developed a uniquely American sound by combining his classical training with his understanding of popular music. Boone was the first performer to unite these musical forms on the concert stage. Many believe his adoption of the “ragged” or syncopated rhythms of the African American community and the heavy bass line of his informal musical compositions inspired the development of ragtime
Ragtime is a musical genre that was popular from the 1890s until around 1918. It gets its name from the rhythm of the music. The style is played off-the-beat or in "ragged" time and usually is performed on the piano.


Success at Last

With Boone’s new approach to his program, success came quickly. Black and white audiences alike came to hear Boone play and enjoyed his music. Prejudices still remained, however. In 1896 the United States Supreme Court upheld segregation
Segregation is the practice of separating people by race, ethnicity, or class through legal or illegal methods.
laws as long as facilities and opportunities for both races were viewed as equal. In the concert halls, churches, courthouses, and tents where the Boone Company played, the white audiences
Henry Fike diary In January 1893 Boone and his mother visited Henry Fike, his mother's former employer in Warrensburg. Fike wrote in his diary, “Billy gave us some excellent performances.”

[Henry C. Fike Diaries, 1851-1919 (C2215), The State Historical Society of Missouri, Manuscript Collection- Columbia , v. 17, p.15]
Ellie Fike Diary Henry Fike's daughter Ellie went to hear Blind Boone play at an opera house in 1884. In her diary she wrote that Boone's performance was “perfectly wonderful.”

[Ellie Fike Diaries, 1879-1892 (C2216), The State Historical Society of Missouri, Manuscript Collection- Columbia , v. 2, p. 10]
and black audiences usually sat apart or attended separate programs. Often the black audience was restricted to the worst seats. Some white hotels refused to give the company members lodging, and there were often no black-owned hotels in towns. Many times black families offered the company their hospitality and put them up in their homes.
Boone at Clarksburg depot Boone at Clarksburg depot Crowds gathered around Boone wherever he went. Here a crowd surrounds him at Clarksburg, Missouri, where he waited for the train.

[SHS 004493]
Blind Boone became one of the first black artists recorded by the QRS piano roll company The QRS Company contracted with Boone to create eleven piano rolls, including some of his own compositions. The recordings were made by a machine that punched holes into paper while the musician played. The paper roll could then be inserted into a player piano and played back. At one point Boone attempted to record his composition “Marshfield Tornado,” but so many piano keys were involved, it jammed the recording machine.

[Blind Boone Heritage Foundation Collection (CA6088), The State Historical Society of Missouri, Manuscript Collection-Columbia]
in 1912. He played
Gavotte Chromatic Gavotte Chromatic
[Click to listen to a clip of Gavotte Chromatic in a new window]

Boone approached his selection of music for the QRS recording much like he did his concert programs. It included several songs written by other composers, like Dixie , a song recognized as the anthem of the South, which would have pleased his often Southern audience, and a hymn, Nearer My God to Thee. Two of his classical compositions were also included, Gavotte Chromatic and Woodland Murmurs.

[Thanks to the Blind Boone Park Renovation Group for use of the musical excerpts.]
Camp Medley No. 1 Camp Medley No. 1
[Click to listen to a clip of Camp Medley No. 1 in a new window]

The most important recordings in the way of music history “firsts” are Camp Medley No. 1: Strains from the Alleys and Rag Medley No. 2: Strains from the Flat Branch. On the printed music, Strains from the Alley begins with these lyrics:

I got a chicken on my back, there’s a bulldog on my track But I’ll make it to the shack ‘fore day.

This theme and even these same words were used extensively in later blues lyrics. Boone was probably not the first to use them, but he was the first to have them published. Strains from the Flat Branch, which refers to Boone’s home neighborhood in Columbia, is said to be the first publication of a “boogie-woogie.” These two compositions would be played after Boone’s classical pieces, when he would announce he was “putting the cookies on the lower shelf for all to enjoy.”

A musical medley is an arrangement made from a series of melodies joined together. Boone’s Ragtime Medley No. 2 is comprised of various popular songs of the day that would have been familiar to his audiences, including Carrie's Gone to Kansas City, I'm Alabama Bound, So They Say and Oh! Honey, Ain't You Sorry.

[Thanks to the Blind Boone Park Renovation Group for use of the musical excerpts.]
Camp Medley No. 2. Camp Medley No. 2.
[Click to listen to a clip of Camp Medley No. 2 in a new window]

[Thanks to the Blind Boone Park Renovation Group for use of the musical excerpts.]
eleven selections while a machine punched the notes on the roll. Boone’s ability to play many notes rapidly made it difficult to record him accurately. His best-known composition, “The Marshfield Tornado,” was never recorded or written down because it was too complex.


Home Life

In 1889 Boone married Eugenia Lange, John Lange’s youngest sister. She traveled with the company for many years as treasurer and often read to her husband. Boone was especially interested in the geography of the country. With his excellent memory, he recalled all the railroad routes he had taken when young and the many places he had traveled.

The young couple purchased a home
Boone enjoyed spending his summers in Columbia. Boone enjoyed spending his summers in Columbia. In this picture, he is seated on the front porch, surrounded by children. Lange is standing on the sidewalk to the right.

[SHS 003063]
Recent picture of Boone's house in Columbia Boone's house as it is today.

Boone playing one of his pianos Boone owned several pianos and claimed to have worn out sixteen during his lifetime.

[SHS 002314-1]
Boone at home Boone at home

[SHS 028786]
Boone's specially-made oak Chickering piano The specially-made oak Chickering piano housed in Boone’s home until his death is now at the Boone County Historical Society Museum.

[Boone County Historical Society]
at 10 North Fourth Street in Columbia. With Boone’s growing financial success, he was able to buy several pianos. Boone could play almost any instrument, but the piano remained his favorite. Often in the summer, when he was not on tour, he spent six hours a day practicing new music. Boone believed the only way to achieve greatness was through study and practice.


Boone's Other Talents and Traits

John Lange and Boone John Lange and Boone This advertising photo from around 1914 quotes the Kansas City Sun , a black-owned newspaper, that refers to John Lange and John Boone as “philanthropic, generous and kind-hearted to a degree.”

[SHS 001578]

Once Boone met someone—child or adult—he always recognized the voice and remembered the name, even many years later. He also talked about his ability to “see” colors, often identifying the color of fabric or the hair on a child’s head through touch. Boone could describe the appearance of a person after hearing the sound of his voice. He called his ability “seeing with my mind.” In 1920 a Columbia Missourian reporter described meeting Boone for the first time: “While he is talking, there comes over those about him an uncanny sensation that he does actually see, and that he observes every movement that they make…. ‘I knew what you looked like almost as soon as you came into the room,’ he said. He then told the exact weight, height, complexion and general characteristics of his interviewer…. His description was too nearly accurate to be guesswork.”

[Evening Missourian , July 31, 1920, p. 4, col. 3]

Like his partner John Lange, Boone was generous to those around him. He supported churches and other organizations through donations and loans. He provided loans to Christian College (now Columbia College) and the First Christian Church of Columbia. In gratitude, the church accepted Boone as their first black member.

Once in Kansas, the members of the Boone Company were denied rooms at the only local hotel. An elderly relative offered them the use of her home. When Boone learned she had approximately $360 remaining on her mortgage, a large amount in those days, he paid off her loan. Lange often said, “Boone is charitable and I have been authorized by him whenever I see a deserving person in need of assistance to assist such person in his name.”

Despite many hardships, Boone never appeared down or sorry for himself. Toward the end of his life, he said, “Blindness has not affected my disposition. It has never made me at outs with the world. Many times I regard it as a blessing, for had I not been blind, I would not have given the inspiration to the world that I have. I have shown that no matter how a person is afflicted, there is something that he can do worthwhile.”


The End

Blind Boone Blind Boone The partnership between Boone and Lange lasted thirty-six years, until Lange’s death in 1916. Boone never recovered from the loss of his partner, mentor, and best friend.

[SHS 001580]

After seeing his protégé achieve success, John Lange died in 1916 at the age of seventy-six. Boone hired several managers in succession to take Lange’s place, but never found a replacement for his longtime friend. He continued to tour and practice with the same rigorous schedule. In January 1926 Boone played two live performances at the KFRU radio station in Columbia, Missouri. The Columbia Tribune reported that the programs were the most popular ever heard on the station.

Blind Boone Obituary from
Columbia Tribune
Many newspapers carried the news of Blind Boone’s death. Like others, this article from a Columbia paper contains factual errors about the musician’s life. It names Marshfield as Boone’s hometown.

[SHS 001580]

John William “Blind” Boone retired in June 1927 after completing forty-seven touring seasons. His health had gradually declined, and he planned a trip to a health spring in Arkansas. Shortly before he left in October of that year, he stopped in Warrensburg to visit his stepbrother, Samuel Hendricks. While there Boone suffered a heart attack and died at the age of sixty-three.

After his death, Boone’s estate contained only $132.65 and his house in Columbia. The nationally known and beloved musical genius was buried without a marker in the black section of the Columbia cemetery.


"Blind" Boone's Legacy

With the growing popularity of jazz, Boone’s music was soon forgotten. While ragtime musicians kept Boone’s rag compositions and history alive within their sphere, as time passed, few remembered the name that was once a household word.

Since the mid-1950s, however, momentum to reestablish Boone’s place in music history has grown. A park in Warrensburg
Blind Boone Park Blind Boone Park
In the 1950s Warrensburg built West End Park for its black community, which was barred by segregation from using the other public parks in town. It was renamed Blind Boone Park not long afterwards. After segregation ended, the park fell into disrepair. The Blind Boone Park Renovation Group formed in 2000. They were interested in reclaiming the park and honoring its namesake. The park is open to all and maintained by a group of dedicated volunteers who wish to keep Boone’s legacy alive in their community.

[Courtesy of the Blind Boone Park]
Blind Boone Park Blind Boone Park
In the 1950s Warrensburg built West End Park for its black community, which was barred by segregation from using the other public parks in town. It was renamed Blind Boone Park not long afterwards. After segregation ended, the park fell into disrepair. The Blind Boone Park Renovation Group formed in 2000. They were interested in reclaiming the park and honoring its namesake. The park is open to all and maintained by a group of dedicated volunteers who wish to keep Boone’s legacy alive in their community.

[Courtesy of the Blind Boone Park]
now bears his name. In 1961 the Blind Boone Memorial Foundation formed in Columbia and gave a concert of Boone’s music at the University of Missouri. The Columbia-Boone County Sesquicentennial Commission erected a tombstone on Boone’s grave in 1971 forty-four years after his death.

Boone’s home in Columbia is on the National Register of Historic Places and is being restored through the efforts of the John William “Blind” Boone Heritage Foundation. His Chickering piano can be seen at the Boone County Historical Society in Columbia. An annual ragtime festival in Columbia bears Boone's name.

Text and research by Christine Montgomery with assistance from Mike Shaw


References and Resources

For more information about John William "Blind" Boone's life and career, see the following resources:

Society Resources

The following is a selected list of books, articles, and manuscripts about John William "Blind" Boone in the research centers of The State Historical Society of Missouri. The Society’s call numbers follow the citations in brackets. All links will open in a new tab.

  • Articles from the Missouri Historical Review
  • Articles from the Newspaper Collection
  • Books
    • Barile, Mary and Christine Montgomery, eds. Merit, Not Sympathy, Wins: The Life and Times of Blind Boone. Truman University Press, 2012. [F508.1 B645bar]
    • Batterson, Jack. Blind Boone: Missouri’s Ragtime Pioneer. Columbia: University of Missouri Press, 1998. [F508.1 B645ba]
    • Christensen, Lawrence O., William E. Foley, Gary R. Kremer, and Kenneth H. Winn, eds. Dictionary of Missouri Biography. Columbia: University of Missouri Press, 1999. pp. 102-103. [REF F508 D561]
    • Fuell, Melissa. Blind Boone, His Early Life and His Achievements. Kansas City, MO: Burton Publishing Co., 1915 [REF F508.1 B645f]
    • Harrah, Madge. Blind Boone: Piano Prodigy. Minneapolis, MN: Carolrhoda Books, 2004. [F508.1 B645ha]
  • Manuscript Collection
    • Blind Boone Heritage Foundation, Collection, (CA6088)
      Materials pertaining to musicians John W. "Blind" Boone and "Blind" Thomas Green Wiggins Bethune. Includes biographical material, publicity items, contracts, correspondence, clippings, programs, royalty statements, photographs, piano rolls, sheet music, and audio recordings.
    • Blind Boone Memorial Foundation, Inc., Papers, 1886-1976 (C3664)
      This collection includes some of the William “Blind” Boone’s compositions, orchestrations and choral arrangements. The papers also contain correspondence, programs, and posters from a memorial concert.
    • Boone, John William “Blind” and Wesley, Papers (C2883)
      Publicity poster announcing the appearance of Blind Boone in Columbia, MO. Program of piano concert of Little Blind Wesley, nephew of Blind Boone.
    • Boone, John William “Blind” (1864-1927), Piano Roll (CA5843)
      Performance by Blind Boone of "Nearer My God to Thee," published by the QRS Company, c. 1920.
    • Townsell, Frank, “Blind Boone’s Piano Music,” 1998 (CA5761)
      Audio recording of music composed by John W. “Blind” Boone, performed by Frank Townsell.

Outside Resources

These links, which open in another window, will take you outside the Society's website. The Society is not responsible for the content of the following websites:
  • “Perfessor” Bill Edwards
    Listen to two songs composed by Blind Boone and performed by “Perfessor” Bill.
  • Blind Boone Park
    This website contains information about the Blind Boone Park in Warrensburg, Missouri, as well as a short biography of Blind Boone. The Park offers a CD of some of Blind Boone’s QRS recordings.
  • Piano Roll Production at QRS Music
    Watch how piano rolls are made and see a player piano in action.

Historic Missourians: John William "Blind" Boone
John William “Blind” Boone John William “Blind” Boone (1864 – 1927).

[The State Historical Society of Missouri, Photograph Collection (P163-09)]

John William
"Blind" Boone

Born: May 17, 1864
Died: October 4, 1927 (age 63)
Categories: Musicians, African Americans
Region of Missouri: Central
Missouri Hometowns: Warrensburg, Columbia
Boone's Signature